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Synthesizer module · 0.1.2 · Released 6 November 2026 · Free · GPL-3.0

Highstead

CA-74

A synthesizer modelled from the circuit of a 1970s expander module: one voice, like the module, or one whole module for each note with POLY.

No purchase, no account. VST3, CLAP, AU and standalone.

Highstead's ivory panel: VCO 1, VCO 2 and the VCF above, the two envelopes and LFO below, and the voices, stereo and output strip under it.

Listen

Factory presets of the first release.

PWM Strings

strings · pad · poly

0:19

Four held chords, two bars each, at 104 BPM, the last resolving from suspended.

Notch Pad

pad · poly · notch

0:20

Four held chords, two bars each, at 100 BPM.

Band-Pass Funk

bass · bandpass

0:19

An eight-bar sixteenth-note bass line in E at 104 BPM.

Huck Finn

bass · resonant

0:21

Four low notes, each held two bars, at 100 BPM.

Leap

brass · poly

0:17

An eight-bar brass chord riff in F at 112 BPM.

Ocean

fx · noise

0:24

One key held for eighteen seconds.

Rendered offline from the 0.1.0 release at QUALITY HI. No effects, and each preset at its own level.

The module

One board, transcribed from the schematic and simulated in ngspice, then derived into a voice that runs in real time. It is calibrated by default to a current recreation of the module, measured part by part.

VCF

The 12 dB state-variable filter. NOTCH sweeps from low-pass through notch to high-pass, or switch to band-pass. As on the module, the filter does not follow the keyboard.

Highstead's VCF section: FREQUENCY and RESONANCE, MODULATION and NOTCH, the ENV/EXT/LFO and LP-HP/BP switches, and the VCO 1, VCO 2 and EXT mixer knobs.
VCO 1 · VCO 2
SYNC
Hard sync between the two oscillators.
MODULATION
Sends the envelope or the LFO to each oscillator’s frequency or pulse width.
PULSE WIDTH
From 10 to 90 %.
MIXER
Each VCO blends from saw to pulse into the filter; EXT takes your host’s side chain or noise.
ENV 1 · LFO · ENV 2
ENV 1
Attack, decay and sustain; drives the VCA and can modulate VCO 1.
ENV 2
Attack, decay and sustain for the filter and VCO 2.
LFO
The module’s own; the mod wheel brings it in on the oscillators.
Not on the module

The patch points are left out, so EXT on the modulation switches does nothing. The module has no velocity input, so velocity doesn’t change the sound. MPE pressure and timbre can move the modulation or the cutoff.

Voices

One voice like the module, or one whole module per note. The strip under the panel holds what the module never had.

The stripHighstead's strip: VOICES with MONO, POLY, UNISON, VOICES and ENTROPY; STEREO with SCATTER, DOUBLE, EVEN, CENTER, WIDTH, INNER and DETUNE; OUTPUT with DRIVE, AUTO GAIN and LEVEL.
MONO · POLY · UNISON
POLY gives each note a whole module, 2 to 10 voices; UNISON stacks them on one note.
ENTROPY
Part variation and drift for each voice, from 0 to 100 %.
SCATTER · DOUBLE
Place voices across the stereo field, or double each note into a detuned pair.
DRIVE · AUTO GAIN · LEVEL
Up to 24 dB into the filter, with AUTO GAIN taking back the added loudness.
PRIORITY · RETRIGGER
Which held key sounds, and whether each key restarts the envelopes.
CALIBRATION
In settings, for each instance: MEASURED (the hardware reference), MEASURED with perfect tuning, or DRAWN, the circuit as drawn.

Quality

Three voices for three jobs. The window beside the QUALITY slider shows which is running: a potato battery, a copper coil or a reactor.

LO

A light voice, about a twelfth of HI’s work, for many voices on ordinary computers.

HI

The circuit model, for playing.

ULTRA

About three times HI’s work. Render with it, or play it live with few voices.

Presets

29 factory presets, levelled to about −18 LUFS so none wins by being louder. Eight are set-ups from the module’s 1975 instruction manual. Search by tag, star favourites, save your own, and step through them from a MIDI controller.

The drawerHighstead's preset drawer: FIND with tags, the list of presets with ALL, FACTORY, MINE and FAVORITES, and RENAME, TAGS, DELETE, REVERT and SAVE AS.

Specs & download

Formats
VST3, CLAP and standalone; Audio Unit on macOS
Systems
macOS 11+, Windows 10 or 11 (64-bit), Linux x86-64
Voices
MONO, POLY (2–10), UNISON
Stereo
WIDTH, INNER, DOUBLE with DETUNE
Expression
MPE pressure and timbre to modulation or cutoff
MIDI
MIDI Learn; preset pads
Presets
29 factory presets at about −18 LUFS
Quality
LO, HI and ULTRA
Licence
GPL-3.0-or-later
Version
0.1.2, released 6 November 2026 · release notes · source code (tar.gz)

Every file, the checksums and the Windows ZIP are on the release page. After installing, rescan plug-ins in your host: Highstead appears under Idle Foundry.

Before you install

  • The Windows installer isn’t signed yet: choose More info, then Run anyway.
  • There is no minimum specification yet. Ten voices at HI have only been measured on fast desktop computers; LO is a twelfth of HI’s work.
  • ULTRA is about three times HI’s work. Render with it, or play it live with few voices.

Modelled from the Oberheim SEM (Synthesizer Expander Module), SEM-1A board of about 1976–78. Oberheim and SEM are trademarks of their owner. Highstead is not affiliated with, sponsored or endorsed by them. The names are used only to say which module’s published circuit the model was derived from. Highstead is free software from Idle Foundry Ltd., under the GNU General Public License, version 3 or later.